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This is The Cut.
Copper and Kings opened a bottle club this week — you commit to a year of quarterly releases, sight unseen, and in return you get first access to things nobody else can have. It is the fourth thing this week that asks you to sign up before you taste. Has the chase turned into a subscription?
I'm John from Chasing the Unicorn Podcast. These came out of the brief this morning, and I've kept the ones that are genuinely contested.
The people who like it call it the honest version. Think about what the old chase actually is. You build a relationship with a store manager, you take the calls, you buy things you don't want so you're on the list for the thing you do, you drive two hours on a rumour. That is a subscription — you're just paying it in time, favours and bottles you didn't need, and nobody ever tells you the odds. A club at least puts the deal on paper, and a deal on paper is a deal you can read before you agree to it.
The people who hate it say you've just invented a whiskey timeshare. You are paying in advance for something you cannot taste, from a producer with every incentive to put its best work where it will earn attention rather than where it is already sold. The whole pleasure of the chase is that you can walk away. A committed year is a year you cannot walk away, and the moment the third release disappoints you're not a hunter any more, you're a customer with a contract.
I think it's the honest version, and I think most people will hate that. The old system was never a meritocracy — it rewarded proximity, free time and knowing somebody, and we called that dedication because the alternative was admitting it was luck and geography. A club says the quiet part out loud: access is a product, and here is what it costs. You are allowed to dislike that. Just don't pretend the thing it replaced was fairer.
Has the chase turned into a subscription?
I want a straight answer in the comments — would you sign up for a year of bottles you haven't tasted, yes or no.
Second question. Jack Daniel's is taking its American single malt national. Hundred percent malted barley, new American oak, finished in oloroso sherry — that's the dry, nutty kind — and run through the Lincoln County Process, which is the charcoal filtering that makes Tennessee whiskey Tennessee whiskey. It moves from a duty-free curiosity to an annual release everywhere. Their core range shifts something like four and a half million cases a year in this country. Does the biggest name in American whiskey entering single malt validate the category, or flatten it?
The validation argument is about shelf space. American single malt only became its own federal category recently — before that it was a craft oddity with no agreed definition and no home in a store. A brand with that kind of distribution doesn't just add a bottle, it creates a section. Once a retailer builds a single malt shelf, every small producer who was previously filed under miscellaneous has somewhere to sit.
The flattening argument is about what people will assume the category tastes like. There are dozens of American single malts and they are wildly different — smoky, delicate, sherried, huge. If the first one most drinkers ever try is made by the company that also makes the most famous whiskey in the world, then Jack Daniel's house character becomes the reference point for a category it just joined. Small producers don't get crowded off the shelf. They get compared to something they were never trying to be, by people who think they now know what the category is.
I land on validation, and the reason is the word itself. American single malt is now a legal definition — a hundred percent malted barley, distilled at one American distillery, aged in oak. That is the same kind of word as blended, which we went through on Tuesday: a rule about how it was made, saying nothing at all about whether it's any good. A category with a legal definition and a giant behind it is a category that survives. What it tastes like is then an argument, and arguments are healthy. Not having a shelf at all is not.
Now, I could be wrong, and I'll make the case against myself. Every craft producer who has watched a big name enter their category has heard exactly this speech about a rising tide, and quite often the tide arrived and the small boats sank anyway. Validation is a comfortable word for people who aren't the ones being validated.
Does the biggest name in American whiskey entering single malt validate the category, or flatten it?
Comments. And if you make single malt for a living, I especially want yours.
Third question. Michter's was just named the world's most admired whiskey for the fourth year running, voted by buyers, bartenders, journalists and industry people across more than twenty-five countries. Does a ranking like that mean anything to somebody standing in a shop?
Some say yes, and they're not being naive about it. That panel isn't a popularity contest among enthusiasts — it's people who taste professionally and buy professionally, across dozens of markets, and four years in a row is not an accident. Consistency at scale is genuinely hard, and admiration from the trade is a decent proxy for a company that doesn't cut corners when nobody's looking.
Others say it measures the wrong thing entirely. Most admired is a reputation award. It rewards brand management, hospitality, consistency of story — all real, none of them the liquid. A bartender in Singapore admiring a distillery says very little about whether the bottle in front of you at your budget is better than the one beside it.
The second lot are closer to right, and here's what nobody in the trade will say out loud: an award like that measures how a company behaves toward the industry, not how a bottle behaves toward you. That's not a scandal, it's just a different question. Michter's earning it four times means they run a serious operation. It does not mean their bottle beats the one next to it on your shelf, and it was never designed to.
Does a ranking like that mean anything to somebody standing in a shop?
Last one. Tell me in the comments whether an award on a bottle has ever actually changed what you bought.
There are five different ways into a bottle laid out in the brief right now — a raffle, two distillery-only releases, a club and an allocation window — with the odds, the specs and what I'd chase and what I'd let go. Everything I argued this morning is sourced in there beside it. If one of these calls looks soft to you, that's where you'd go and take it apart.
That's The Cut. Follow the show wherever you listen, so the next one finds you first. The full American Whiskey Industry Brief is free every morning at chasingtheunicornpodcast.com. I'm John Schuster. Thanks for joining me. Your unicorn is out there.
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Six bottles of Pappy. Ticket window closes tonight. A Kentucky charity raffle has sold fewer than a quarter of its 1,500-ticket cap, and $100 still buys real odds at a six-bottle Pappy Van Winkle grand prize before tonight's 8 p.m. drawing.
A Lexington charity raffle with a Pappy Van Winkle grand prize closes tonight, and the odds are still wide open. That matters because most allocated-bourbon access requires a distributor relationship or a lottery win streak — this only requires buying a ticket before 8 p.m. Elsewhere today: Jack Daniel's takes American single malt national for the first time, Angel's Envy previews a walk-up-only stout-and-Amburana finish, and a Willett private barrel just set a world auction record.
Louisville's Angel's Envy just announced its next Distillery Series bottle, and it's built almost entirely for people willing to show up in person. Master distiller Owen Martin took base bourbons aged six to seven years and finished most of them in Imperial Stout barrels — six to twenty-four months. A smaller portion spent one month in Brazilian Amburana wood, a spice-forward timber more common in Brazilian cachaça than American bourbon. The result bottles at 100 proof, in a 375ml format, for $54.99. About 18,000 bottles are planned. That's a real production run by allocated standards — but every single one of them ships to one address: the Angel's Envy distillery in Louisville. Nowhere else. There's a preview pour planned at the Kentucky Bourbon Festival before the September 10 general release. Stout barrels typically push roasted, coffee-and-dark-chocolate notes onto a bourbon base. Amburana wood is known for cinnamon and clove-forward spice. Put together, that's a richer, spicier profile than Angel's Envy's usual port-finished house style. The release lands as Angel's Envy comes off a strong year — the brand grew 6% to 317,000 cases in the U.S., so this isn't a struggling label chasing a gimmick. It's a confident brand testing further from its comfort zone than usual, and trading national reach for genuine scarcity.
Angel's Envy's new stout-and-Amburana release is a textbook case of what "finishing" actually means. After a bourbon finishes its primary aging in a new charred oak barrel, some distilleries give it a second life in a different vessel — here, Imperial Stout barrels for the majority, Brazilian Amburana wood for a smaller cut. That second stop layers new character on top of a bourbon that's already done its main work. Stout barrels tend to push roasted, coffee-and-dark-chocolate notes into the whiskey. Amburana, a spice-heavy Brazilian wood, adds cinnamon and clove. Done right, you should still taste bourbon first — the finish arrives as an echo, not a disguise. Done wrong, the finish covers up a thin base whiskey with borrowed flavor. The way to judge any finished bourbon is to taste through it: if the bourbon underneath is still there once the stout or Amburana notes fade, the finish earned its place on the label.
Floor erosion usually tracks how far a bottle has fallen from its highest-ever price. This one moved the opposite direction — it just set a new world-record price for the bottling. The bottle's name honors Edwin Foote, a master distiller who trained under the Stitzel-Weller wheated tradition before working at Bernheim, giving it a provenance story most extra-aged single barrels don't carry. Two companion bottles from the same auction night — an 18-year Willett and a 23-year LeNell's rye — also sold in the high five figures, suggesting the strength isn't a one-off.
Rickhouse Report: 5 stories · Regional Report: 3 stories
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Mentioned in this episode: Weller, Pappy Van Winkle, Four Roses, Michter's, Blanton's, Angel's Envy, BTAC